When I was a teen, I was painfully shy.  (No one who knows me now believes that for a second, but it’s true!)  Unfortunately, my shyness was often mistaken for snobbishness; in fact, my first boyfriend used to teasingly call me “Ice Princess.”  I didn’t mind.  After all, my favorite song at the time was the one on the B-side of Don’t Go Breaking My Heart by Elton John and Kiki Dee; a sweet little tune called Snow Queen.

“And I believe the Snow Queen lives somewhere in the hills
She’s got the world on a string, like white wine when it’s chilled
Arms are spread like icicles, upon a frosted cake
The Snow Queen reigns in warm L.A., behind the cold, black gates…”

The folks over at Art Trader magazine are having a contest with the theme ”Snow Kings and Queens” (your choice), any style, any medium, any size.   Naturally I couldn’t pass that up!  My Snow Queen collage is made on 5×7 matboard with various papers, paints, glitter, gems, a rub-on transfer crown and a faaaabulous icy-looking vintage lady.

Check out Art Trader when you get a chance; it’s a free download and always an interesting read, including lots and lots of eye candy, both of the frozen and non-frozen variety.

This month over at Mind Wide Open, Gail shook things up a bit for the challenge.  Not only were we given extra time to finish - a full month instead of just a week - but the image is what she calls “more of a vignette.”

And not only did we get more time, but the word prompt this month was “time.”  Frankly, though, there’s not enough time in the world for me when it comes to deadlines.  A week, a month, a year – doesn’t matter.  I always wait until the last possible moment.  Sure, I like to pretend it’s because I’m “cogitating” on the design, but in reality, it’s because I’m busy with distractions like Fishdom and the comments section over at Regretsy.  (Weirdly, I actually get done earlier when the deadline is shorter.  Go figure.)

Anyway, I knew exactly what I wanted to make as soon I saw November’s image.  Having become rather bored by the plain plastic storage in my studio, I’ve been decorating various tin cans to hold paintbrushes, colored pencils, etc.  A friend at my husband’s workplace provided a small coffee can, which I wrapped with batting and the printed out image.  Then came the fun part – embellishing with cotton lace, braided fibers, pom-pom trim, glitter glue, clear gems (which I custom-dyed) and, of course, a flower.  (Because I put at least one flower on everything I make.  It is a compulsion I cannot control.)  Its new job will be to hold my stipple brushes.

There’s a fairly new group over on Swap-Bot for those who love artwork in the style of the Stampington publications (e.g. Somerset Studio,  Altered Couture, etc).  Because many of our members expressed interest in doing a challenge along the lines of their regular feature, “With One Color Palette,” a swap was set up to make a piece no smaller than 5×7 using only the colors black, white and grey.  Quite the challenge, especially when you just know a touch of red here and there would really make it awesome.  But – no cheating! – black, white and grey only.

I thought it would be a nice touch to use images from a couple of the free “collage sheets” that come in some of Stampington’s magazines.  I’d been saving the old sheet music for awhile, but had to photocopy it because the original had yellowed with age.

Flower?  Check.  Bling?  Check.  Now if only I could add just a hint of red…

It’s been awhile since I posted; haven’t done a whole lot of art lately (still catching up from my trip), but I did want to share some quilts from the festival.  Of course there were hundreds to admire and I probably didn’t even get to see most of them (my schedule was pretty hectic), but of the ones I did, these are my favorites.

Another Time, Another Place by Michael Marsh and Pat Marsh

I’ve always loved Asian imagery, and the detail on this quilt is incredible.  Unfortunately I couldn’t get a picture without that silver pole in it (they’re strung with rope to keep viewers at a distance).

Birdbath Social by Ann Horton

How fun is this?  I love this sentence from the artist’s description: “Kitty waits patiently to become part of the action.”

Blue Ridge Springtime by Sandra Werlich

I love the simplicity of this; the colors really shine.

Broken Dishes by Maria Elkins

I am so impressed by the near photo-realism of this quilt.  Such talent!

Clam Session by Karen K. Stone

I could look at this all day and still find something new.  Absolutely love the texture and colors.

Emerald Treasures by Barb Forrister

The turtles are needle-felted and encrusted with hundreds of baubles and beads.

Feather Study 23 by Caryl Bryer Fallert

So bright, so much movement.  You can’t help but get carried away!

Feeling Groovy by Candace West

I’ve always loved bright colors popping against a black background.  You can’t tell from the picture, but there are crystals in the flower centers.  (A lady after my own heart!)

Feral by Sandy Curran

As the artist explains it: “How thin is the veneer of civilization?  When disaster strikes, how long will it take your pet kitten to become a wild predator?”

While I love the concept, I’m a little concerned about her use of “when” instead of “if” preceding “disaster strikes.”  (Please, don’t let it be inevitable!)  Also?  My two fat cats would starve to death long before they became “wild predators.”  The most dangerous thing they attack around here is a catnip-filled toy crocheted for them by one of my co-workers.  (It’s been three years and they still haven’t even managed to kill that.)

Hey, did you notice all the eyes?

Green Piece by Leona Harden

So bright and cheery – and I love the pinkness!

John Lennon – Requiem by Robert Mosier and Mary Jane Plsiga

What’s most interesting about this very large quilt is that the border is made of donated “rock ‘n roll” T-shirts from students in Texas; when auctioned, the quilt raised $20,000 for the school.  Cool beans!

Pointless Possibilities by Jamie Fingal

Here is the artist’s entire description of this quilt: “The journey is more about going round in circles, rather than getting to the point.”

I love her.  Did you notice it’s made of  four pieces zipped together?  I’m sure there must be something really deep and symbolic about that, and I’m also sure the artist (whom I met at the show), even if pressed, would probably not bother to speculate on what that might be.

Sakura by Reiko Yoshida

A pastel beauty honoring the cherry blossom.   I can picture an entire room built around the bed this would lie on.  ::sigh::

Swim 4 Me by Betty Busby

The artist claims this is about the reproductive drive; but I just see a whole mess of fish.  How did she manage to make a picture of fish so darned elegant, anyway?  Love this.

Sylvan Ambiance #5 by Noriko Endo

The artist describes this forest as “a place of joy.”  I have to agree!  Gorgeous.

The Fernery by Liz Jones

Inspired by a Victorian lace tablecloth.  This is a more “traditional” type quilt, but the colors she chose are amazing and the choice of black for the background is perfect.

Three Color Study by Alice Heckman

I know what you’re thinking.  Um…three?  The artist explains that she hand-dyes her fabrics and that she achieved all the colors in this quilt using various mixtures and strengths of the three primary colors: red, yellow and blue.  In any event, it soothes my OCD demon, and I love it.

Winter to Spring by Kathy York

When the subject is this abstract, color and texture take center stage.  She did a beautiful job.

Well, I’ve saved my favorite for last.  This quilt, more than any other, I find remarkably inspirational.  A simple concept, really – create similar panels, whack each one into quarters and reassemble.  Voila!  I am itching to try this myself – of course, I’ll be using paper and glue instead of fabric and stitch. 

The Cubist’s Edge by Francis Holliday Alford

Love her choice of colors, all the pretty satin stitching, the simple, yet beautiful motif, the whole “cut and reassemble” concept.  Fabulous!  If I had the means, I would have purchased this in a heartbeat.  (I actually don’t have any idea what the price was; I only suspect it was probably more than the cost of my entire trip!)

Disclaimer: I have never made a quilt, nor am I ever likely to.  (Unless you count the blanket I made a few years ago out of denim squares cut from old jeans.)  But thanks to the wonderful folks at Quilting Arts/Cloth Paper Scissors, Quilt Fest is so much more than just quilts!  They feature an ATC trade, lots of fun mixed-media classes (that you can only get into via lottery) and various artists working right there on the show floor so you can watch them do their artful magic. 

As this was the festival’s 35th year, we were encouraged to make 35 ATCs.  I went back to the “ATC wall” several times throughout my four-day stay, often running into the same people over and over again.  I ”explained” ATCs to at least 30 curious people in the process, and many of them expressed interest in trying them and excitement at the idea of trading.  Maybe we’ll see some of those “converts” at next year’s show. 

This is a view of downtown Houston from inside the convention center.  The weather was beautiful, and a nice breeze made the city, state and country flags look their best.

The first class I took was making an embellished tote bag with elinor peace bailey.  You’ve probably seen some of her work in various magazines; she is a wonderfully gifted and prolific artist.   The first thing I saw when I arrived in her classroom was an array of colorful dolls and bags.  This particular one I think conveys all the excitement of being at Quilt Fest!

And these could represent the happy students in her class:

elinor herself is as colorful and interesting as her dolls.  She is also one of the kindest and most patient teachers you will ever meet.  She started the class with an inspiring speech about taking risks in our art and not worrying about what others think.  I adored her!

The length of embellished fabric she’s holding will soon be turned into a bag.  She described the bag construction as a simple no-brainer, what we were to concentrate on was creating a beautiful piece by drawing, painting, embellishing and combining fabrics.  She demonstrated drawing a face and many people did faces, but she said it didn’t matter what we drew.  I decided to draw a bird.  I thought it looked too much like a chicken, so I wasn’t that pleased with it, but I knew a face wouldn’t turn out that much better, so I went with it.  I got to try watercolor pastels for the first time and just loved them.  (Guess what my next Michael’s coupon will be used for!)  I used the pastels to color my bird and outlined his features with a Sharpie.  I had a little trouble constructing the bag, as the sewing machine didn’t like the many layers I was trying to force through it, but I plowed on and was able to finish in the class.

front

back

In another class, we made “no ordinary journal” with Madeline Arendt.  We covered a comp book with fabric and used various embellishments to decorate it.  My favorite bit is the vintage spool of thread acting as a closure.

The two other  formal classes I took were “Mixed Media Miscellany” 1 and 2, in which approximately 15-20 teachers sat in a large room demonstrating different techniques and/or projects, and you walked around at will, sitting in on whichever you found interesting.  Each participant got a thick hand-out with each technique being explained on a page or two for future reference. 

And then there were the “lottery” classes in the “Make It University” area sponsored by Quilting Arts/Cloth Paper Scissors.  Up to 15 minutes before each class started, you could put your name in a jar and if your name was drawn, you got into the class.  I got into all six of the classes I tried for, which was fabulous!  The very best one was the last, “Surviving the Runway.”  I won’t go into too many details, but it involved making an “outlandish couture item” representing either the 70s, 80s, 90s or 2000s, using the materials provided.  (Unfortunately the materials provided were really awful, tacky things like Fun Foam, pom-poms, chenille stems, feathers and colored duct tape.)  You could “earn” extra materials by doing embarrassing things such as singing the Brady Bunch theme song or moonwalking.  I made a pair of gi-normous earrings representing the 80s; one says “radical” and the other says “just say no.”  (I made liberal use of pom-poms and the ric-rac I earned by singing the theme song to the Flintstones.) The event culminated with approximately 20 women dressed in Fun Foam gyrating to Van Halen’s Dancing in the Street in front of approximately seven thousand complete strangers.  Yes, I was one of them, and yes, it was super fun.  Even more fun than shopping!

Did I mention they had shopping?  Only over 1,000 vendors!  Here’s a look at a tiny portion of them from an upper floor:

I did quite well when it came to the shopping; I had budgeted $300, but ended up only spending $110, and $40 of that was for a lovely tapestry purse.  (I can’t resist buying purses!)  I think I just became overwhelmed by all the possibilities and worried that I’d overspend.  And while I was excited by a lot of the new techniques I’d learned in classes, I kept thinking I could buy most of the materials at Michael’s, Jo-Ann or Hobby Lobby when I got home and save $$ with a coupon!

There were many beautiful and unique quilts at the show, of course, and I’ll share my favorites in a future post.  In the meantime, here’s a photo (borrowed from another site) of the Best in Show winner, Caryl Bryer Fallert.  Her quilt is called On the Wings of a Dream.  If you look closely, you can see the faint outline of a flying bird (possibly a heron?).  It was an honor to see this quilt in person; it’s so beautiful it actually brought a tear to my eye!  One can only imagine the hours of work that go into creating something so special.  As I said, I’ll never be a quilter, but I can certainly appreciate those who are and who do such amazing work.

So I’ve been an ATC-makin’ fool lately!  This first batch is for an Artchix Studio swap called “Royal Birds.”  We had to use at least one image from a selection of their collage sheets; I chose “Bird on a Wire” because the images are the most versatile.  I also used one image on each ATC from their “Mystical” collage sheet.  Love those moons and clocks and zodiac charts and such!  The backgrounds are made with paper from a very old ledger book I found at the thrift store.

I also made 35 (count ‘em!) ATCs to trade at the Quilt Festival in Houston this week.  I’ve spent most of the day packing and am ready to go first thing tomorrow morning.  Yee-haw!  (As I imagine they say in Texas.) Houston is pretty much an all-day drive straight west from here; the weather is very similar to ours, except much drier.  So I packed some lotion and am good to go!

The Quilting Arts/Cloth Paper Scissors people will be there, sponsoring awesome classes (fingers crossed I make it into all the lottery ones!), mixed-media demos, a raffle drawing and an ATC swap.  Participants were encouraged to make 35 ATCs because this is the festival’s 35th year.  I met the challenge head-on, and while it took a few days, I got all 35 done!  I didn’t have time to photograph them all, so here’s a small sampling:

Hopefully I’ll find time to post from the show.  I went for the first time back in 2007 and it was rather overwhelming!  My camera is going to get quite a workout. 

I’ve been a fan of Gail’s wonderful Mind Wide Open blog since it began, and haven’t missed a single monthly challenge.  Sure, some of the images have been a little more challenging than others, but I always managed to come up with at least one workable idea in the seven days we’re allotted.

Then came this one – the hardest yet.  I suspect my brain was less than fully engaged when I first saw this image, because for the life of me, I couldn’t figure out what it was.

My first thought was, okay, so Gail has finally gone off the deep end and given us a fuzzy duck with a striped neck.  (Why is he looking at me like that?  What does he want from me?!)

Eventually I did realize what this is supposed to be (I’d make a great Rorschach test subject, apparently), but it didn’t help matters any.  Inspiration was slow in coming, and as the deadline loomed, I began to panic a little.  What few ideas I mustered were complete duds.  I like working with, as Gail herself put it, “pretty” images, like vintage women and children and flowers and birds.

So, in the end, I kinda cheated.  On the last day of the challenge, I came across this hinged wooden box at the thrift store  and inspiration struck.  I did use the image, so technically I followed the rules of the challenge. Rendering it unrecognizable, however, is probably stretching the rules…maybe just a teeny, tiny bit?  But, by golly, I refuse to miss a challenge, no matter what it takes!

 (Sorry, Mr. Stripey-Necked Duck.)

The preview has started over at Art Now for Autism, and I hope you’ll take a few minutes to check out the wonderful variety of artwork that can be purchased beginning October 5th.  

My friend and colleague Leslie Pace made some amazing hematite necklaces and bracelets to donate to the cause.  She has only been making jewelry for a couple of years, but it has turned out to be her calling!

Leslie was overwhelmed to discover that one of her beautiful necklaces was chosen to be featured on the Art Now for Autism flyer this year.  I’m so proud of her!

So one of my favorite blogs is the inimitable Cake Wrecks, which features ”professional cakes gone horribly wrong.”  The cakes alone are enough to inspire mild amusement, disgust and/or just plain bafflement, but blog owner Jen’s commentary takes it to a whole new level.  If you need a good daily dose of hilarity, I highly recommend it.  I laughed so hard I actually stopped breathing the first time I read Cake Wrecks.  (It was the Thanksgiving turkey cake that resembled “a weird smiley face with its hair on fire” that did me in.)

So I was ridiculously excited when Jen announced that a) she had written a Cake Wrecks book and b) she was going on a book-signing tour, commencing in Orlando.  MapQuest informed me that Borders was a mere 137 miles away by car.  And I just happen to have a car.  It was like fate!

When I arrived (quite early), the bakers commissioned to provide a cake for the occasion were just getting set up.  They did an amazing job, combining several “wrecks” into one glorious cake.

Shortly after I took this photo, one of the decorators added some roses and leaves to the bottom of the carrot, at which point I informed her that the cake was getting “too pretty” and that she may want to reconsider.  (This was supposed to be a “wreck,” after all.)

Jen and her husband presented a slideshow of their favorite cakes and took questions from the audience.  How cute is she, anyway?  And just as funny in person.  (Thankfully I did not stop breathing.)

Afterwards, they judged the cupcake contest.  Alas, mine did not win (I knew I should have gone with the mildly obscene design I first thought of).  When it was time for the actual book signing (and cake serving), the considerably large crowd started mobbing the podium – it was literally “crunch time.”  Before long, I became overheated and claustrophobic, so I just grabbed a piece of cake for my husband* and left.  Yes, before I got my book signed!  But it’s cool – I had a great time and I’m really enjoying the book.  So it doesn’t have a Sharpie scribble in it – meh!  I’m really okay with that. 

(* Because, ironically, I don’t eat sugar.  Read this book and you’ll likely give it up, too.)

So what road trip would be complete without at least one visit to a thrift store?  None that I know of.  I stopped at an awesome Goodwill in Wildwood on my way to Orlando and found several items that made my heart go pitter-pat!  First, this box of vintage get-well cards.

The pinkness!  The lace!  Roses!  Birds!  Kittens!  ::sigh::  “Seven large cards, seven small cards, seven personal notes” with an original price of $2.50.  The box was thoroughly taped shut (with packing tape, alas), but I was thrilled to discover later that most of the cards are still in there.

99 cents!  Also found a wedding guest book for the same price.  The cover is a little beat-up, but it’s filled with beautiful, high-quality paper.

I’m going to alter the cover and use it for something special.  (No, I haven’t decided for what yet – that will come at some point down the road.)  Also snagged a package of awesome luncheon napkins for 59 cents.  There was only one missing!

There are so many cool things you can do with napkins.  I like to glue them down as backgrounds in collage.  You can decoupage them onto eggs for Easter (a la Martha Stewart) or onto large wooden beads.

Finally, there was this small photo album for 59 cents.  It looked to me like a Papaya Art design, though it may not be.  I very much love their style, so even if it’s a knock-off, I still consider it a great find!

Halloween is fast approaching, and I recently joined two swaps on Swap-Bot in which we’re to make an appropriate hanging to display on our door during the Season of Fright.  My favorite thrift store put out the Halloween stuff last week and I was thrilled to find two words rendered in elegant script and covered in black glass glitter: “Beware” and “Spooky.”  Immediately I was inspired to use one of each in my wall hangings.

As the words look rather classy, I threw out all notions of making something like a cutesy scarecrow on a straw wreath (not that I would have seriously considered that in the first place!) and began to plan something more refined.  The first thing that came to mind was that I needed roses…roses the deep, rich color of blood.  (Bwa-ha-ha-haaaaa!)   Alas, all I could find were roses the deep, rich color of cheap wine.  But it’s cool – they were on clearance!  I also bought sheer black ribbon with a subtle sparkle and raided my stash for tiny beads (technically, “Beedz”), jewelry components and colorful gems.  I cut and painted ceiling tile for the substrate.  Love that stuff!  Not only inexpensive, but a great texture.

You may recognize these images; one previously graced the cover of a comp book for a swap in which my partner wanted a “sexy witch,” and the other is the lovely image from last October’s Mind Wide Open challenge.  Back then I used lots of molding paste, paint and a giant spider to create my challenge project.  I like this one much better.

What else is spooky? On September 11, the odometer in my 2000 Toyota Corolla reached another milestone in its long, jaded career.

 The spooky part?  I’ve washed my car a total of maybe ten times in its entire life.  (I’d rather spend the $$ on art supplies!  Besides, it rains a lot, and that’s sort of like a car wash.  Right?)  My husband is convinced that dirt is the only thing holding my car together at this point, but I know better.  I’ll still be driving it when it reaches its next big milestone.